And yet Noe, aided by DP Benoit Debie, does know a thing or two about arranging a scene for maximum beauty, and here seems to have been inspired to shoot the too-many acts of vigorous boning with a surprisingly lyrical wash over the graphic details of penises, pubic hair, boobs and bums (no vaginas, though, except once from the inside). An early threesome scene is a lovely tangle of limbs and hair and pink tongues, and the way he lights and choreographs sex scenes in passageways manages to make a blow job in a corridor look epic and romantic, rather than plain old seedy (which is obviously where it ends, though). And the film is slickly edited too, with the flashbacks and flash forwards signalled by blink-like cuts to black and often characterized by actions and framings that match across the edit.
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